Mark Melville is a composer and sound designer for theatre and film and studied at Leeds Conservatoire. His music and sound design work has been presented across the UK and internationally.

Recent projects include: Kin (Gecko/National Theatre); Romeo and Juliet (Royal Exchange); Around the World in 80 Days (Bolton Octagon); Love the Sinner (Vanishing Point); Exodus, The Panopticon (National Theatre of Scotland); They Don’t Pay? We Won’t Pay! (Mercury Theatre); Snow Queen (Storyhouse); Flight (Vox Motus/The Bridge Theatre/Barbican); The Metamorphosis (Vanishing Point/Emilia Romagna Teatro, Italy); A Little Space (Gecko/Mind The Gap); The Greatest Play in the History of the World... (Tara Finney Productions/Royal Exchange/West End/UK Tour); Frankenstein, Wit, B!rth (Royal Exchange); Human Animals, Violence and Son, God Bless the Child (Royal Court); 1984 (Emilia Romagna Teatro); Tomorrow (Vanishing Point/Cena Contemporânea Festival, Brazil/Brighton Festival/Tramway); Where Do We Belong?, Where Do We Stand? (Northern Stage); Little Gift (M6 Theatre/ AndyManley); Road (Leeds Playhouse); Charlie Sonata (Royal Lyceum Theatre); Wonderland (Vanishing Point/Napoli Teatro Italia/Edinburgh International Festival).